Don’t Make Waves (1967): “Philip Lathrop’s bright, sun-kissed cinematography perfectly captures the Malibu vibe and Ms. Tate, in one of her final films (despite a screen credit that reads “Introducing Sharon Tate“), is both enigmatic and vacuous as Carlo’s sexual fantasy; her trampoline scene is a voyeuristic high point.” Jeff Stafford, Turner Classic Movies.
Beach Party Movies 
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