Steve Franken

Steve Franken (far right) with co-stars Gary Clarke and Chris Noel in Wild Wild Winter (1966)

Steve Franken: born Stephen Robert Franken, 27 May 1932, Queens New York; died 24 August 2012, Canoga Park, Los Angeles California.

First credit: Cop Hater (1958) Boy in Lineup
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Wild Wild Winter (5 Jan 1966) John
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Angels & Demons (2009) Cardinal Colbert

Actor Steve Franken dead at 80
Aug. 30, 2012 at 6:48 PM

NEW YORK, Aug. 30 (UPI) — Character actor Steve Franken, best known for his work on TV’s “The Many Loves of Dobie Gillis,” has died of cancer in Los Angeles, his family said. He was 80.

Franken’s wife, Jean, confirmed his Aug. 24 death to The New York Times. The type of cancer he suffered was not specified.

The New York-born actor’s film credits include “The Fiendish Plot of Dr. Fu Manchu,” “Which Way to the Front?,” “Hardly Working,” “The Missouri Breaks,” “The Party” and “The Americanization of Emily.” He was a frequent guest on TV shows such as “Bewitched,” “Love, American Style,” “Mission: Impossible” and “Seinfeld.”

Franken is survived by his wife and their daughter, Anne; two daughters from his marriage to ex-wife Julia Carter — Emily Franken and Abigail Glass — and two grandchildren, the Times said Wednesday.

http://markrothmansblog.blogspot.com.au/2012/09/my-day-with-steve-franken.html

The actor Steve Franken died this last week.
He was best known as Chatsworth Osborne Junior, the overtly snobbish rich teenager
on “The Many Loves of Dobie Gillis”
That was a show that I probably should have given honorable mention to when I was compiling my list
of best sitcoms of all time.
It had style, wit, wonderful writing, and several actors at the absolute tops of their games.
I’d had close encounters with several of its cast members.

Dwayne Hickman, after he hung up his acting gloves, became an executive at CBS.
He was a liaison to several of my flop series at CBS in the late seventies.
He was one of those rare things: A guy who gave network notes that weren’t stupid.
He was smart in general, and knew enough to know that I knew what I was doing.
So when, in doubt, he kept things to himself.
We got along famously.
He was also far more qualified than most to do that job well, having been an integral part of two hit series.
He was someone worth listening to.

I met Bob Denver on his home turf in West Virginia, where he lived.
I flew there on a puddle jumper from Detroit, to try to convince him to do one of my
plays.
We did an out-and-out reading of it, and he was wonderful.
And nothing at all like Gilligan or Maynard G. Krebs. (The G. stood for “Walter”)
He was erudite and intelligent, and it suited the part perfectly.
He had semi-retired at that point, because he had a severely disabled child
who needed his full attention.
But he said, if I could ever get a production going in West Virginia, count him in.
I never could.
I remember exactly when this happened. January of 1993.
Because it was the day of Bill Clinton’s first Inauguration.
We stopped for about five minutes to watch it.

And then there was Steve Franken.
Steve Franken was hilarious on “Dobie Gillis”
He made Chatsworth Osborne Junior his outrageous own.
I’m afraid that it somewhat typecast him.
He never really did that much after that.
Certainly nothing that good or attention-getting.
He deserved better than that.
Very few people who remember the show at all remember that he was essentially a
replacement for another actor who played the spoiled rich teenager.
That actor didn’t make nearly as much of an impression in the part, and left the show after the first season.
He didn’t get typecast.
His name was, and still is, Warren Beatty.

It wasn’t Warren Beatty, but rather Steve Franken, who showed up at my office
for the first day of casting for the principals of a pilot I did for CBS, which eventually became a series that
Dwayne Hickman was a liaison for, called “Busting Loose”
“Busting Loose” was a contemporary gang comedy, loosely based on the movie
“Next Stop Greenwich Village”.
Which meant it was about Jews.
What the network essentially wanted was a young, contemporary, Jewish “Happy Days”.
I was young, contemporary, Jewish, and had worked on “Happy Days”.
So they came to the right place.
Of course, with networks being traditionally shy about doing anything Jewish since “The Goldbergs”,
that element got lost pretty quickly.
So Steve Franken showed up at my office before anyone else did.
He had looked at the script before coming in and was totally embarrassed to be there.
His first words were “I know. I’m way too old for this.”
He was probably in his late forties at the time.
My first words to him were “You know, you’re way too old for this.”
He said “I don’t know why my agent sent me here.”
I said “I don’t know either.”
I was looking for slightly more ethnic versions of Potsie and Ralph Malph.
And this grownup showed up.
But I had an opportunity to tell him how much I enjoyed him on “Dobie Gillis”,
and offered him the opportunity to help me read the other prospective actors who would be coming in to audition.
He took me up on it, having nothing better to do, I guess figuring that it
was an opportunity to score Brownie Points with me.
He did.
And he was wonderful in whichever part he was asked to read.
I made a mental note to cast him in something down the line.
Like so many mental notes, that one unfortunately got filed in the
“I forgot all about it” file.
And it stayed there until I read of his death this week.
He was a very nice man, and now it’s too late to make it up to him.